Rollerblading has gone through a number of changes in the past two decades. Progression in the sport during the late 1990's and early 2000's at the tail end of rollerblading's peak was at an all time high. Movies like Coup De Tat and Brain Fear Gone showcased the video-game-like skill of skaters in their early 20's performing tricks that teetered on life threatening stunts. The influence movies like these was easily seen by the number of amateur skaters emulating and improving upon the tricks performed in those movies.
However, times are changing and along with them, styles, tricks, and names. To get a better understanding behind the changes, questions were asked on one of Rollerblading's most infamous message boards: Be-Mag. The central idea behind these questions was how rollerblading changed in the last ten years.
Responses to the question varied with some supportive suggestions and suppositions to some replies hinting at insult for asking about the current state of rollerblading. Of the more constructive feedback were suggestions of aging skaters, loss of popularity in the sport, and changes in creativity. In addressing the first two points of participants, this has been a common theme for rollerblading since roughly early 2001 when Chris Garrett, owner of Fiction Clothing at the time, stated in VideoGroove 17 that the industry was already taking financial hits from fewer participants. Which was true according to some estimates in the industry which claims the peak of rollerblading popularity occurring around 1997.
This trend continued and serious issues surrounding the industry were growing worse and worse until it came to a breaking point in 2005 with the release of Barely Dead. The film was more than a skate video, but a documentary about the history of rollerblading which featured interviews with legend Arlo Eisenberg and prominent professional skaters Jon Julio, Chris Haffey, and Cameron Card. Each of these veterans of rollerblading cited issues of salaries, health concerns, and lack of health insurance on top of the prevalent problems of decreased interest in the sport. All of them were concerned with the tenuous future rollerblading, but there was still a feeling of optimism in their testimonials.
As for the changes in style, this is a common thread in rollerblading, as well as in life. Tricks go through phases of acceptance and marginalization on a regular basis. When Brain Fear Gone debuted, the idea of "no grab" or "freestyle" grinds were frowned upon until Jon Elliot made them look good to the rollerblading public. At the same time in this era of skating, laying "hammer" tricks (intense or insane stunts) was becoming commonplace, even among the more casual participants. So now the cycle of tricks has taken a more creative route. A path not unheard of but one that is now more universally accepted rather than a unique oddity. This, according to the respondents, was attributable to Sean and Colin Kelso in their pursuit of portraying rollerblading going through another evolution.
This is not a critical article about whether one era of rollerblading is superior to another. But, if someone is returning to the sport after years of disinterest, they may be curious to see where the sport has been in their absence. Rollerblading is going through the same identity issues that other prominent alternative sports go through, what will set it apart from other sports is how it responds.



